Two fascinating musical careers, one rejuvenating, one just beginning


ingénue interviews singer/songwriter Judie Tzuke
and award-winning author turned singer/songwriter RJ Ellory

Judie Tzuke –
enjoying a renaissance

I first saw Judie Tzuke perform in Brighton in the eighties; I was in love with the girl of my dreams and I took her to the gig. While that relationship didn’t last very much longer (a complicated story) my relationship with Judie’s music continued. It’s now twenty-five albums later and I had the pleasure of interviewing her recently prior to her ‘Songs and Stories’ tour coming to our area. She is performing in Redhill (Harlequin Theatre) and Worthing (Southern Pavilion) in October and Hailsham Pavilion and Crawley (The Hawth) in November.
I began by asking her about her tour and how the performances are arranged. She tells me, “The gigs are very intimate acoustic gigs, I sing and talk and the audience talk, they ask questions – it all started quite naturally – it’s been fantastic and I really get to know my audience; each gig is unique as things go off on different tangents. I really enjoy it and find out people are rather like me actually.”
I’d always thought Judie was a nervous performer, in fact rather shy. So how come she is suddenly taking questions and chatting with audiences?
“I was an absolute terrified performer, and then I got cancer three years ago. I ended up on stage in London with a throat infection, I thought I’d get through it, but it was awful, I sounded like a frog, my worst nightmare! But the audience were wonderful; they started singing my songs back to me and although I was horribly embarrassed, I suddenly realised I had an amazing audience. I had three standing ovations! I’d somehow previously had the idea that the audience was there to see me fail or make a fool of myself. I woke up the next day and thought it would be wonderful to get to know more of who they are and stop worrying so much about going wrong or forgetting words.”
And what about the band playing with Judie? Will it be a stripped down gig?
“Stripped down, yes, one or two guitarists, an occasional piano player and perhaps my daughters, all friends of mine, it varies from gig to gig. The gigs in the South East are more likely to have more musicians as they are nearer to where we live.”
I wanted to ask Judie about her very early days, her initial influences. “I used to listen to Joni Mitchell, James Taylor, Jackson Browne, Marvin Gaye, lots of different styles of music depending on what mood I was in that day. I never planned to be a songwriter. At school I used to keep a diary at the end of the day, like a little poem of things that had happened that day. We had a fantastic English teacher who was into Bob Dylan, he encouraged me so I learned the guitar and started writing songs. But also I come from a family that loves music, my dad was a property developer but would have rather been a musician. We as children were brought up with him buying lots of strange instruments and making us listen to him playing them badly. He died when I was 14 so he never got hear what I have done. I was really lucky that my first couple of songs did so well; I didn’t mean to be famous, I didn’t mean to be on stage, I was much happier behind the scenes. I’m enjoying it now, but it’s taken me all that time to enjoy it!”judie_tzuke-lo
I knew a little of Judie’s daughters, Bailey (a singer/songwriter in her own right) and Tallulah who also has a gorgeous voice. They often perform with Judie.
“I’m very proud of my daughters. They’re both great, they sing wonderfully, they’re amazing with music but they are also both yoga teachers, which is great as the music industry, especially now, is more difficult than it’s ever been I think. It’s good to have some way of calming yourself and not be affected by it.”
Do they have aspirations to emulate their mother as successful artists?
“No, I don’t think so. Bailey has already been successful with a song she put out with some friends of ours called ‘The Freemasons’ – an Alanis Morissette song – it was only going to be a club record as far as we knew but it was on Radio 1 and became a massive hit all over the world. A bit like me she isn’t particularly happy being in the spotlight, but she’s written some wonderful songs and there are projects she’s involved in that might well still come out.”
Judie’s forthcoming album, tentatively titled Woman Overboard, will be out in the next few months. She tells me that she was working on the songs when she had cancer, but didn’t know at the time. She couldn’t tell what was wrong with her, she felt a bit lost. The album went on hold due to her illness, but she is finishing it off now. “I’m not sure if it will be called that now, but the song with that title will be on it, we’re just finishing the mixing, the technical things, it’s all new, original material. Some of the songs will be sung on the tour.”
As an afterthought, Judie mentioned that the album might well be completed and available on the latter part of the tour in the south east. Finally, we chatted about the up-coming gigs. Judie certainly seems to be enjoying her new found confidence to interact with her audience, but was as unassuming as ever about her popularity. “I’m hoping everyone will come and see me, I’m always surprised at how many people come to the gigs as I’m not with a major label anymore, I don’t know how they know I’m still alive. But the gigs have been going great”.
Amazing voice, amazing songs, a tour not to be missed! Visit for full info on Judie.

RJ Ellory and the Whiskey Poets –
starting a musical journey


ingénue – What’s your personal musical history behind the emergence of The Whiskey Poets?

Well, strictly speaking, it is my first band, and these recent gigs are really the first time I have ever performed as a musician. Back when I was a teenager I fooled around with a guitar for a little while. Then I didn’t touch the guitar again until the mid-90s but there were other priorities like writing and trying to find a publisher.
Then in 2009 I started learning. I have always been surrounded by music. I have written lyrics for years, also poems, short stories, novels, screenplays, and once I attained some degree of competence on the guitar I started working with previously-written lyrics with a view to completing some songs.
I then hooked up with a couple of acquaintances and we formed a three-piece. We recorded some of those songs in a studio down in Sussex that was owned and run by Martin Smith (formerly of ELO). That band never took off but I became fast friends with Martin, and once that three-piece had dissolved, he asked whether I would like to do a solo project. It became very obvious very quickly that we could actually co-write, and so began the project that became the first Whiskey Poets’ album, ‘Low Country’.
Conceptually, this is kind of a country album in as much as country music tends to orient toward that idea of telling a story within a song. The lyrics are very personal, I guess, and the songs are lyric-driven. With my novels, the primary focus is always to evoke an emotion in the reader. It is the same here.

ingénue – And why the name?

The name comes from Dylan Thomas, the original ‘whisky poet’. Very simply, I was on an extended book tour on the east coast of the US back in 2009. On the return journey I stayed a few days in Manhattan.
I walked Fifth and Sixth, I went to Lower Battery City, the site of 9/11, the Rodeo Bar, the Bridge Street Café, and my publicist and I saw the sights. On one occasion we stopped off at the White Horse Tavern on Hudson and 11th, known so famously for the 50s and 60s Bohemian culture that it hosted. Dylan Thomas was a regular, as was James Baldwin, Hunter S. Thompson, Jim Morrison, Norman Mailer and Jack Kerouac.
From the White Horse we took a walk to the Chelsea Hotel, yet another iconic location which has been home to such luminaries as Bob Dylan, Charles Bukowski, Janis Joplin, Tom Waits, Leonard Cohen and Iggy Pop. While staying at the Chelsea, Arthur C. Clarke wrote 2001: A Space Odyssey. It was here that Sid Vicious killed his girlfriend, Nancy Spungen, in 1978. And on the evening of November 2, 1953, Dylan Thomas drank eighteen whiskies at the Tavern and then staggered back to the Chelsea where he was living. He went out drinking again on the 4th and 5th, and then when he became seriously ill in the early hours of the 6th he was rushed to St. Vincent’s Hospital. Thomas died from pneumonia on the 9th of November. He was thirty-nine years old. Taking into consideration the location, the history, the fact that Thomas died of the same illness that killed my mother, the whole experience struck a chord with me and I was left with this image of the tragic, frustrated ‘whiskey poet’. It was from there that the band name was derived.


ingénue – Musical influences?

Well, I have always been passionate about music, and just as I found a great empathy in American literature, so I found a great empathy in jazz and blues and country music. I was first listening to Son House and Blind Willie McTell and Lightnin’ Hopkins, and from there I discovered a great love for the music that came out of the West Coast of the US in the 60s, such bands as Love and Quicksilver Messenger Service, The Thirteenth Floor Elevators and Jefferson Airplane.
I think writing books and writing music are very similar. Literature is evoking an emotion with words. Music is evoking an emotion with sounds. As for current listening tastes, there is music in the house and the car all the time. I listen to everything from Mississippi and Delta blues to Led Zeppelin to Suzanne Vega to Tom Waits to Shostakovich and Rachmaninov and everything in between.


ingénue – What’s coming up in the future for the band and for you as an author?

Gigs are being arranged in London, France, other places. We should be on the UK and European festival circuit from early 2017. We are currently recording the second official Whiskey Poets album entitled ‘Native Strangers’.
As for literature, I have just completed the first volume of a new trilogy. It is entitled ‘Kings of America’ and it covers several generations of two families in Hollywood from the 1930s to the 1980s. It has taken a huge amount of research, and there are many known names and famous faces who make brief and not-so-brief cameos throughout the story.
In October we are releasing the French translation of ‘A Dark and Broken Heart’. I will be touring in France through October and November, and the band will also be playing near Strasbourg as part of a literary festival. That particular book is also being adapted for film, and the screenplay is close to completion. Last year I released a graphic novel in French which was based on a trilogy of short stories entitled ‘Chicagoland’, and my French collaborator (Fabrice Colin) and I will be working on a new one soon.

ingénue – And, knowing you, I wouldn’t be surprised if there was some other project or projects in the pipeline. Is there? And if so, what can we expect?

Well, more books, more film adaptations, a lot more music… and – being a very keen photographer and
having had the chance to travel the world and amass a huge catalogue of pictures – I am hoping to publish a coffee table book with anecdotes of where those photos were taken.
Visit for Roger Ellory the author and for the band.


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